Progressive metal band
Haken performing live.
Leica M8, Zeiss C Sonnar T* 1,5/50 ZM, Infrared cut-off filter
Canon EOS 40D, Canon EF 17-40mm f/4L USM, Circular Polariser
A cloudy summer sunset over central Tokyo.
Leica M8, Leica Summitar 50mm 2/f
Sunrise, as seen from the Hinodekan (日の出館) lodge at Mount Fuji.
Canon EOS 40D, Canon EF 17-40mm f/4L USM, Circular Polariser
The crowd cheers as the
yabusame (流鏑馬) archer hits his target.
Leica M8, Leica Summitar 50mm 2/f
Two girls waiting as the shop staff prepares a batch
of pancake-roll sweets (調布巻).
Leica M8, Leica Summitar 50mm 2/f
Voigtländer Bessa R2, Leica Summitar 50mm 2/f, Fujifilm Neopan 400
The interiors of a shop melds into the reflection of the outside square.
Voigtländer Bessa R2, Leica Summitar 50mm 2/f, Fujifilm Neopan 400
Sacrificial
sake (日本酒) casks, stylistically decorated with
the names of their respective donors.
Voigtländer Bessa R2, Leica Summitar 50mm 2/f, Kodak Portra 160 NC
Canon EOS 40D, Canon EF 17-40mm f/4L USM, Circular polariser
Sunlight reaches through the foliage and illuminates rocks resting
on the beam (貫) of a
torii (鳥居).
Canon EOS 40D, Canon EF 17-40mm f/4L USM, Circular Polariser
Canon EOS 40D, Canon EF 17-40mm f/4L USM
Three friends walk in a sea of golden grass under a clear blue afternoon sky.
Canon EOS 40D, Canon EF 17-40mm f/4L USM, Circular Polariser
Two sisters attending a spring picnic.
Canon EOS 40D, Canon EF 100mm F2.8 Macro USM
On Art and Photography
Photography is possibly the only way I feel comfortable expressing myself
artistically.
I can certainly write, somewhat, but drawing, dance, woodwork, and the likes
have never been my strong points.
As a photographer, I am a happy mediocre amateur at best, a complete clutz
at worst, and on this page I publish the least bad of my work.
I also admittedly have an enormous backlog of pictures to develop digitally,
some of which may one day make it onto this page.
When developing photos, I try to stay as true as possible to the picture and
have a fairly simple workflow: crop, straighten, remove dust, tune global
options such as blacks and saturation, export, done.
It is not that I think that this makes the pictures more “real”, but it offers
me a workflow that forces me to go out and take pictures, rather than re-touch
the ones I have.
Long gone are the days when I felt sad about “missed” shots, good riddance,
it took far too many years to reach this state of mind.
If you like a picture and want to use it, they are available under a
liberal license.
I also have high-resolution versions that I am happy to give you, just send me
an e-mail.