Photography

Progressive metal band Haken performing live.
15.
Progressive metal band Haken performing live.
26th of March 2017, London, United Kingdom
Leica M8, Zeiss C Sonnar T* 1,5/50 ZM, Infrared cut-off filter
Joshua tree at sunset.
14.
Joshua tree at sunset.
Canon EOS 40D, Canon EF 17-40mm f/4L USM, Circular Polariser
A cloudy summer sunset over central Tokyo.
13.
A cloudy summer sunset over central Tokyo.
4th of August 2014, Tokyo Skytree, Tokyo, Japan
Leica M8, Leica Summitar 50mm 2/f
Sunrise, as seen from the Hinodekan (日の出館) lodge at Mount Fuji.
12.
Sunrise, as seen from the Hinodekan (日の出館) lodge at Mount Fuji.
Canon EOS 40D, Canon EF 17-40mm f/4L USM, Circular Polariser
The crowd cheers as the yabusame (流鏑馬) archer hits his target.
11.
The crowd cheers as the yabusame (流鏑馬) archer hits his target.
14th of October 2013, Toyama-kouen, Tokyo, Japan
Leica M8, Leica Summitar 50mm 2/f
Two girls waiting as the shop staff prepares a batchof pancake-roll sweets (調布巻).
10.
Two girls waiting as the shop staff prepares a batch of pancake-roll sweets (調布巻).
23rd of March 2013, Kurashiki, Okayama, Japan
Leica M8, Leica Summitar 50mm 2/f
Riot police blocks a side street during the 2012 Quebec studentprotests.
9.
Riot police blocks a side street during the 2012 Quebec student protests.
7th of June 2012, Montreal, Quebec, Canada
Voigtländer Bessa R2, Leica Summitar 50mm 2/f, Fujifilm Neopan 400
The interiors of a shop melds into the reflection of the outside square.
8.
The interiors of a shop melds into the reflection of the outside square.
Voigtländer Bessa R2, Leica Summitar 50mm 2/f, Fujifilm Neopan 400
Sacrificial sake (日本酒) casks, stylistically decorated withthe names of their respective donors.
7.
Sacrificial sake (日本酒) casks, stylistically decorated with the names of their respective donors.
7th of April 2012, Meiji-jinguu, Tokyo, Japan
Voigtländer Bessa R2, Leica Summitar 50mm 2/f, Kodak Portra 160 NC
Visitors at the Kuroshio Sea (黒潮の海) tankat the Okinawa Churaumi Aquarium (沖縄美ら海水族館).
6.
Visitors at the Kuroshio Sea (黒潮の海) tank at the Okinawa Churaumi Aquarium (沖縄美ら海水族館).
31st of January 2011, Ishikawa, Okinawa, Japan
Canon G11
A summer sunset at the London Eye.
5.
A summer sunset at the London Eye.
4th of September 2010, London, United Kingdom
Canon EOS 40D, Canon EF 17-40mm f/4L USM, Circular polariser
Sunlight reaches through the foliage and illuminates rocks restingon the beam (貫) of a torii (鳥居).
4.
Sunlight reaches through the foliage and illuminates rocks resting on the beam (貫) of a torii (鳥居).
1st of November 2009, Nikkou, Tochigi, Japan
Canon EOS 40D, Canon EF 17-40mm f/4L USM, Circular Polariser
The rock garden (枯山水) at the Ryouan-ji (龍安寺)Zen temple.
3.
The rock garden (枯山水) at the Ryouan-ji (龍安寺) Zen temple.
24th of October 2008, Ryouan-ji, Kyoto, Japan
Canon EOS 40D, Canon EF 17-40mm f/4L USM
Three friends walk in a sea of golden grass under a clear blue afternoon sky.
2.
Three friends walk in a sea of golden grass under a clear blue afternoon sky.
Canon EOS 40D, Canon EF 17-40mm f/4L USM, Circular Polariser
Two sisters attending a spring picnic.
1.
Two sisters attending a spring picnic.
Canon EOS 40D, Canon EF 100mm F2.8 Macro USM

On Art and Photography

Photography is possibly the only way I feel comfortable expressing myself artistically. I can certainly write, somewhat, but drawing, dance, woodwork, and the likes have never been my strong points. As a photographer, I am a happy mediocre amateur at best, a complete clutz at worst, and on this page I publish the least bad of my work. I also admittedly have an enormous backlog of pictures to develop digitally, some of which may one day make it onto this page.

When developing photos, I try to stay as true as possible to the picture and have a fairly simple workflow: crop, straighten, remove dust, tune global options such as blacks and saturation, export, done. It is not that I think that this makes the pictures more “real”, but it offers me a workflow that forces me to go out and take pictures, rather than re-touch the ones I have. Long gone are the days when I felt sad about “missed” shots, good riddance, it took far too many years to reach this state of mind.

If you like a picture and want to use it, they are available under a liberal license. I also have high-resolution versions that I am happy to give you, just send me an e-mail.